Sunday, November 18, 2012

All at Once


The night air is close
               like jasmine tea,
petals pressed in leaves of musty books,
              wistful spun silk.

You
rise like a luminous,
              distant planet


And I blanket myself
over some falling
                   stream,
as you paint the night sky
on my face,
tracing ancient lace trails
with each soft breath;
A sonic gesture
            telling tales
                  of fealty and desire.

Circles into circles,
        a thin weave of skin
Small leaves
        Some drift of acanthus.

Slow rain drops
                 Intently.
Green grey
               The wind.
Your hands press
               Against me,
Dropping my
              Stacked shoulders,
My solitude,
              all at once.


The Hiss of Fossils


Africa is so arid.
We glide over Kenya, where I’ve never been.
The shrubby carpetweed and purslane clump;
outposts of savanna trees seen from our plane.


And the sudden grace of being airborne,
while just walking on clay-pack landfill,
a sunwashed track on a hillock of trash,
the exhilarant height from my head
to the ground,
returns me to that buried child,
diving most earnestly into play.

Saturday, October 27, 2012

I drew a line


I remember a stopping point
leading up to full bloom,
shaking and wondering:
Why haven’t I done this before?
I came hard and cried:
Green irises exploding in jaguar spots.
I cry sometimes.
Sometimes I cry.

I didn’t feel bad
about the train sex.
I was afraid of the next stop,
but I didn’t feel bad.
I didn’t speak.
I couldn’t.

I drew a line.

Today is better
than yesterday.
I just let it be,
just curled like so;
Like a pillow in a case,
a hand around a book,
Just so.

Tuesday, September 4, 2012

you just have to fold






She prefers Rachmaninov to Wagner and I think, “Good Girl!”
The girl who is a little mad for the Beatles and looks lovely and shy,
hair parted with barrettes, falling in love . . . perhaps . . .
But she states her preferences, she does have that.
I’ve gotten sucked into something that’s not me, not my life.
I’m ungrounded and wandering full of longing, unspeakable,
because obsessions are ungodly that way
and make people hate you after awhile; even your best friends can’t stand to listen to you.
I pin Marlboro ads of glossy horses
all around my high, four-poster bed fitted with the white chenille
and tear through Barbara Cartland Romances
Guiltily.
It’s not right.  It’s not right.
But I don’t know what else to do.
There is the lonely high desert beauty of the wild horses
and the sweet young innocents and their bodices,
to be sacrificed to love, the beauty of it,
the stiff mount of the paramour,
if it could just be so on this hill,
this golden mesa.




A plate of haddock and chips 
and a pint and a half of Guinness later,
we finally got around to men.
What did we want.
I feel high and flirty suddenly.
I dismiss the men at the end of the bar as too old, but then, the one with glasses . . .
And salt and pepper hair, perhaps . . . a somber aspect, vinegary.
Just like us, two friends out for a drink on a holiday night.
On a holiday, you just have to fold your hand, my friend said.
It takes so long to tighten it up, to straighten things, you just have to fold.
Too old.  I think again.  Then not knowing what age means.
How old am I?
I just want someone who likes me, my friend says.
Huh, I snort.  But she’s right.
If only someone would be pleasant, nice.
“I’m the nice guy who every girl says she wants, but really doesn’t.”
Gah, who wants to deal with that massive annoyance.
I shut the dating site down with the snap of the laptop.  No one.  No one there for me.

Desire. 
She tells me that I don’t want a mirror of myself
after I tell her that I do.
The glasses behind the bar shine and I smile.
My mother picked the difficult one.  She wanted a challenge!
I pick younger.  My friend wants older.
Alright, then, we aren’t conjoined twins,
although sympathic and invested in this friendship.
I feel bad for having scoffed at her interest in knitting.
Just because I’m that sort.  To judge it as what Old Women Do:
Baby their pets and knit and cry at movies or in public on buses.
And I’m NOT OLD!
Why shouldn’t she churn out loads of knotted patterns?
What am I doing with myself?  Drawing.  
I start to sketch the bottle of grenadine and an imagined crème
with stars and stylized sunflowers like a schoolgirl.
How could I be in love with someone who didn’t like
Crème Anglaise?
It’s her turn to snort.
I had practiced that one.  I knew she would get it.
Crème Anglaise.
I draw my spoon in paisleys through it,
press the embossed sterling beads to my lips,
inhaling the mix of vanilla and metal,
like buttons,
And the tweed, the cedary tweed.

I think of the boy who smelled of a Linden Tree.
And so thin, a lovely trunk and limbs.
I wrapped around him like a vine,
green and urgent.
And the way his hair curled to a small fascinating delta
on the nape of his neck.
I sigh.

The Mississippi of him
The long dark warmth
The river at night
So dangerous and vibrant with a play of moonlight
Lapping.

That was my year of twenty-one year olds
He was the brightest, really.
Though he inevitably slipped me a stone.
He smiled at me with his hand holding Rilke
And said I had to come home with him.
And I did. 

A smile.  If only.
He’s a lawyer now.  I found him online.
I can only shake my head.  He wanted to help people, he said.
I wish I could see him again.  But he has probably gone all soft and the flame gone out.
Men don’t seem to age well.
Have I?
I can’t tell.  Sometimes it seems that I barely know anything about myself.
I have to have dreams to talk sense into me.  I can’t seem to trust my desires in daylight.
That’s it.  Trust.
It has been broken.  Over and over. 


Like a good girl myself, I listen to Beethoven
In the morning.  A distant thunder.
Sucking in papery woodbine
And downing coffee.
Stamping through the garden
in a black ink peignoir and coral Happi coat,
flushing out Japanese Beetles from wrinkled pink bonicas and the
golden raspberries, drowning them in soap.
The dew washing my feet.
The waffle iron is smoking, too.
Brahms is what I want, I think.
Something soothing.
What do I want?

When my professor asked me in Pyatigorsk,
I lied.  I wanted him.  I wanted him to hold me.
To love me.  I wanted him not to have feet of clay.
I wanted him to be my perfect mentor, my father, my teacher.
But I asked for my friends.  I was very drunk on Georgian Champagne and very homesick. 
I wanted love, but I couldn’t trust those words.
He sat and let me cry.  That was a great gift.  I didn’t know it then, but it was a gift.
Not to try and fix me, but to let me be.  To let the backwater of my heart unstop and flow
in quiet tears.  As he stood guard, smoking like a dragon, folded at the end of my bed, still as Buddha.

Weep, then, little one, weep.

Sunday, August 5, 2012

Louise said Heaven


I don’t think I’ll see any lovers this morning
rising from dewy meadows,
twined like bind weeds
and blooming pink hued and golden
with such clinging desire.
This morning only grey plumed pigeons
paired on the power plant lines
below sleeping peregrines.

You went through London’s swamp
clutching that last thing,
the mantlepiece clock
and its key for winding. 
What happened to perpetual motion?  
Timepieces, simple mechanics,
just hands sweeping around a dial,
the earth around the sun,
the shifting moon factored in. 
No confusion,
clouds come up,
but the mountain stands still,
the erosion, the plates underneath,
too slow to register any significant error. 
Yet always the friction.

Louise said heaven.
Some pale plateau glowing
in her fervent imagination,
but also tangible
like a thatch of a chestnut’s mane
that you can’t help but thread your fingers through
and hold close, inhaling the musk and fire. 
Who named you and made you other. 
And what energy fuels this need to grasp
and stake some claim, graze into the next pasture.

The senses sway and pull us under the blue green caress in waves.
We glean and gather and pack our hearts with rough bales,
Only to pull out later
Sad amber catches of eyelashes and kisses,
faint pockets of breathless gasps
on the edges of desks, perhaps,
where beauty falls
in each swerving atom


and should they collide . . . .


Saturday, July 21, 2012

Or the sea . . .

"She trusts me," I overhear you say
on one of the many calls you walk outside to take,
and some smooth stone slips over my heart.


Your eyes, which held such sweetness, now look caged.
I miss the graceful swing of the string between us:
the simple kiss, quiet first, then asking for more.


"I only want you to be happy," felt sincere,
so easy, but now, I don't know.
Your tongue on mine is thick
and drunk from crying
as I reach my hand to yours.


We tryst, we sweat and moan, the sea itself;
drowning all thoughts in this pitching cauldron.


In the morning, through the blinds,
a shy lavender light,
laced with butterscotch
and dusty mullien
illuminates
a sweet Sargasso
of weedy down
on your face,
swirling in a gyre
around your grave
and silent lips


once again.




Wednesday, July 11, 2012

Synchronicity, Spiritus Mundi, "The Shirt! The Shirt!", or, crap, I've really lost it and gone off the deep end.

Benedict Cumberbatch--production photo from "Third Star"
The cast from "Third Star" takes a break and has tea

I had a dream after watching the film "Third Star," an independent British film in which the main character, played by Benedict Cumberbatch, is dying of cancer and wants to take one last trip to the coast of Wales with his mates. The main impact of the film on me was the portrayal of this group of young men as caring and being able to be emotionally open and vulnerable; qualities I want to believe men have, or are capable of, but which I haven't experienced firsthand from guys in any satisfactory way.
In my dream I was suddenly with someone and I felt this great relief--that I could stop fighting and struggling so hard and just relax and know that this person, this guy, cared about me, almost implicitly, instinctively, as though we had always known each other and there was no fear or anxiety.  I don't know who he was, I couldn't see him clearly, but I did notice his shirt.  He was wearing this white/off-white thin cotton shirt with a delicate, almost floral reddish/pink pattern on it.  In the dream, in my letting go, I just wanted to put my head on his shoulder.  I wanted him to support me, hold me.  I had all this sorrow and struggle in me and I wanted to let it go.  As I moved in closer to lean on him, I felt this terrific heat rising up from his torso from beneath his shirt.  I suddenly felt that I had misjudged him, that I had made him into this strong impermeable rock that would hold me; maybe not misjudged, but not known completely because I hadn't previously been aware of his sorrows, his struggles, his vulnerability, his human frailty.  How much was he like me?  I could feel his heart beating, but it was jagged, as if he was only kept alive by some fragile and powerful grace, both mystic and wild.

This dream felt very real and dear to me.  I took it as a message that I can and will find the connection I crave, that I will find someone safe, a soul mate.


I wanted very much to write about this in a poem, but I kept getting hung up on the shirt.  I did some Google searches but I couldn't find what I wanted.  I wanted a poetic fabric, but batiste, though favored by Tolstoy, seemed too obscure, too distracting.  I just couldn't come up with a terse, poetic description.  This was what I wrote:



Last night I was thinking:
You, oh, you.
Like a comfort, as though your shoulder
was a pillow for my sorrows.
But when I rested my head there,
the warmth of your torso blazed up like a furnace
and I felt the sudden fragility of your pulse
through the thin print of your shirt,
the unease of the machinery,
tremulous
and shuddering.

Ah, well, anyway, "the thin print of your shirt" was the best I could do.  So, blah.  But I was pretty pleased with the rest of the poem (Iridium Nib), and so it goes.

Anyway, a couple of days ago I was trolling around the internet.  After "Third Star" I watched another small, independent film that Benedict did--"Wreckers"--which kind of screwed with my head because it's one of those films where nothing is quite as it seems.  I found a short, but insightful forum on the plot of the film on the wonderfully named "The Baker Street Supper Club" website.  I also found a "Wreckers" page on Facebook.  So, yeah, these small budget films want to promo themselves, so they have FB pages with lots of fun pictures and behind the scenes stuff.  I had a great time looking at all the passionate, creative types who are never seen on camera, but do lots of work planning out shots, and painting scenes and dressing sets and the actors.  The art people seemed like people one would like to hang out with.  They had lovely lunches with piles of fruits and veggies and baguettes on the set. 

The Art Crew on "Wreckers" have Lunch.  Love that wallpaper!

The Dog, Lucy, and the Production Designer, Beck Rainford, on "Wreckers."  I just couldn't skip this photo--too cute!
Crew Member of "Wreckers" resting on location in The Fens
I felt some connection with these people.   In my job as a Pastry Chef at a convention center, I am behind the scenes, too, doing my creative work and remaining anonymous and invisible.  My team and I work like hell on a big project and then it's over.  OK, so on to the next show.  That's how it goes.  Not many laurels to rest upon.

So, back to scrolling around the web.  I wanted to find similar "behind the scenes" stuff for "Sherlock."  Oh, my.  This show has an incredible following and a host of websites devoted to almost any aspect you can imagine.  Like that wallpaper in 221B?  Well, you can buy it, or the teapot, or the perfume Irene Adler wore.  Gah.  Too much stuff.  I can see, though, that I am hardly alone in my obsession.  That makes me feel somewhat better, or at least not as crazy.  Anyway, just rummaging through Sherlock pictures and sites and I found this--the shirt!  the shirt!--from some panel discussion somewhere.  God, I almost fell off my deluxe executive task chair.  This is the shirt from my dream.  Why is Benedict wearing it?  Why did I dream about it in detail?  What does this mean?  I have lost it.  I am supposed to be having fun with this obsession, right?  

The Shirt!  The Shirt!